For some musicians it's Halloween everyday. This is certainly true of musical artist King Dude (TJ Cowgill). Below, a message from Zeena about being the inspiration for this song, along with description & order info from the distributor, Tesco's, webpage.
"I was so happy and very honored when my dear friend TJ Cowgill (aka, King Dude) recently told me that a reminiscence I'd related to him on one of our walks in Berlin's Grunewald forest sparked the inspiration for his newest release, the 7" vinyl single, "I Was Evil".
While I don't seriously believe in dualistic labels like "good" and "evil", it was said in a humorous way and from that fleeting comment, a truly beautiful song written by King Dude, with vocals by the hauntingly velvet voiced Katrin (of the band AWEN), has emerged!
To all involved in its creation and production, I wish all the best for its success and send forth the ancient magical formula of Lord Sutekh:
"Life, Health, Strength and Happiness!"
Description/Beschreibung:STRICTLY LIMITED COLLECTOR’S VINYL EDITION OF THE COOPERATION BETWEEN KING DUDE AND AWEN.
TJ Cowgill (KING DUDE) and Erin Powell (AWEN):
Two American friends having a long conversation over whiskey and nicotine on a balmy Texas evening before a King Dude performance in Dallas, Texas. At one point TJ relays a story told to him by Zeena Schreck (née LaVey) wherein she could have effected some malice but on a whim decided not to, adding ‘but, that was back when I was evil’. That sentence was a springboard for a song idea.
The two projects came together to collaborate on this powerful 7” release “I Was Evil”, featuring the tracks “I Was Evil”, backed with “Sanctioned”!
“I Was Evil” features Katrin of AWEN’s vocal performance that is at the same time vulnerable yet formidable against the majestic and crepuscular music that KING DUDE fans have come to expect and love.
TESCO ORDER PAGE
Tony Sokol at The Chiseler Online Magazine interviews Zeena about her memories of actor Christopher Lee:
The interdisciplinary avant garde artist spoke exclusively with the Chiseler about the legendary actor.
Zeena “met Christopher Lee as a result of being co-producer for the CD ‘Christopher Lee Sings Devils Rogues and other Villians.’ Specifically, I first met him at the apartment in Los Angeles that [former husband] Nikolas and I rented for him and his wife Gitte to stay in while we worked on the recording of ‘Christopher Lee Sings Devils Rogues and other Villains.’ ”
Long before Lee recorded with the symphonic power metal group Rhapsody of Fire, he was involved with “Christopher Lee Sings Devils, Rogues & Other Villains (From Broadway To Bayreuth And Beyond).“
“Nikolas knew of Lee’s love of classical music, opera and Broadway musicals. But at that time, the general public only knew Lee for his vampire roles and had little awareness of his musical talent and appreciation,” Zeena explained.
Lee maintained that his one regret was his decision not to become an opera singer.
“Nikolas conceived of the idea to spotlight Christopher Lee’s considerable singing talents,” Zeena said. “But he knew that to do that effectively, such a project would need to focus on musical selections one would automatically think of Lee singing, appropriately sinister villainous characters from Opera and musicals.
“Lee was very enthusiastic at the proposal. So it was through helping Nikolas with the planning, production and coordinating of that project that I got to know Christopher. We recorded it at a studio in Crossroads of the World in Los Angeles. A considerable amount of work and expense went into finding suitable, classically trained musicians and a musical director (Dean Shepherd, who was fantastic) who had the right skills and temperament to work well with Lee.”
The friendship endured long after the work was completed.
“We stayed in contact throughout the years following that album,” she said. “We’d see him whenever he was in Berlin for the Berlin Film Festival and the ‘Cinema for Peace’ benefit.”
“It goes without saying that Christopher was a very colorful person,” Zeena said. “But for me, the most interesting conversations with him revolved around his descriptions of his WWII work as a British Intelligence officer. He talked about parachuting into German enemy Waffen SS camps and, well, he did what the British government trained him to do, which was not pretty.”
“I got the impression he was still rather haunted, even decades later, by some of his experiences during the war. Even though he believed that what he did was for virtuous and just reasons,” she added.
“He definitely had an interest in magic beyond the roles he played,” Zeena said. “But we need to make a distinction between 'interest’ and 'involvement.’ He had no first-hand involvement in any magical, occult or satanic groups and even declined direct invitations from such groups.
“He liked horror fiction of authors like H.P. Lovecraft, Bram Stoker, Algernon Blackwood, etc. But that was purely a literary appreciation. He also had an interest in John Dee, The Golden Dawn and other 19th and early 20th century magical groups,” she explained.
“However, it should be stated that Lee had an interest in a wide variety of eclectic subjects, which had nothing to do with occultism. He was simply very well-read and inquisitive by nature,” she added.
Lee was in the enviable position to be able to satisfy his many curiosities.
“As a result of his years in British intelligence, he’d known figures like Dennis Wheatley, his cousin Ian Fleming, etc., and had heard of their experiences with Aleister Crowley. In fact he was lifelong friends with Dennis Wheatley and agreed with Wheatley’s views on the occult. But their friendship grew out of their mutual intelligence work, not because of occult or magical interests.
Christopher Lee was instrumental in getting Wheatley works to film. Wheatley’s The Forbidden Territory was made into a movie starring Ronald Squire as Sir Charles rather than Duke de Richleau in 1934.
“It was Lee who convinced Hammer films to buy the rights to Wheatley’s books for the films he would star in,” Zeena said. “But it should be clarified that Lee was very dismissive and wary of occultists, black magicians or satanists.”
During Zeena’s involvement in the Lee album, she had the opportunity to ask Lee about the rumor that her father knew Christopher Lee.
“When Nikolas and I got to know Lee, we were able to discuss this rumor with him in detail,” Zeena said. “Both Lee and his wife Gitte refuted the rumor vehemently. Lee explained that, as a result of working on the U.S. TV movie Poor Devil, with Sammy Davis, Jr. (who became a Priest in the Church of Satan), Davis tried to ingratiate Lee into accepting an invitation at the behest of my father, offering Lee a copy of The Satanic Bible, personally inscribed and signed by my father.
“Lee still had the book in his collection and, on one of Nikolas’s visits to London for preparations of the CD, Lee showed Nikolas the book referring to it as a cheap paperback from the '60s witchcraft fads. Lee didn’t take it at all seriously,” Zeena said. “His wife Gitte recalled another time they visited Sammy and his wife Altovise in Los Angeles, when again Sammy tried to serve as middle-man between Dracula and the Black Pope, and again to no avail.
“Lee had no interest. He said Sammy was nuts about my father but Lee saw my father as a 'Johnny-come-lately opportunist and con-man’ within the occult. Lee expressed that he had no intention of ever meeting LaVey. Then, Lee pointedly looked me in the eye and said 'I’m very glad that you had the sense to get out of all of that destructive rubbish,' expounding on what he called 'the ruinous effects of that type of belief system.' ” she concluded.
The levelheaded enchantress also got to see the work that went into his actor’s preparation.
“Lee took personal responsibility to research his roles, to learn what he could about the characters and the historical context, in order to bring a more believable performance to each character,” Zeena said. “His interest in devilish and monstrous roles was purely a matter of aesthetics and literary appreciation - but not at all a personal lifestyle.
“I think he considered the villainous roles he played as having allegorical and moral significance. Sort of like morality tales for a new generation. I don’t think he expected to actually inspire people to want to become the characters he played. He was part Italian and had a very strong sense of religious moral ethics. So even though he befriended Wheatley and personally researched the villainous roles he would play, it was really out of a dedication to portray those roles in as real a way as possible, to understand those characters from their own points of view and to make them believable,” she said.
[End of excerpts]*
*THERE'S EVEN MORE TO THIS ARTICLE - READ THE FULL INTERVIEW HERE
Originally posted to Chiseler on June 9, 2015
In the run-up to Halloween, we're re-posting some of Zeena's past Samhain-specific articles and vintage pictures. This first installment is from Zeena's VICE Magazine column titled, "Halloween in a Satanic Household"
To the article:
"As I write this, I'm already decked out in orange and black apparel in preparation for the most wonderful holiday of the year. I'm happy Berlin's finally caught up to the joys of that kooky American custom Samhain, because for the first quarter century of my life, back when I was the devil's defender, Halloween wasn't the fun and merriment it was for many others.
Statistically, crime rates rise on Halloween night, so you can imagine the kind of mayhem the HQ of the Church of Satan—a black house centered in one of San Francisco's most conservative, pastel-lined districts—invited upon itself. Early 70s San Francisco was hit by a steep spike in the crime rate, with a special twist of Barbary Coast weirdness added by such local lunatics as the Zodiac Killer, who brought fear into the city even when it wasn't Halloween.
My parents didn't allow my friends to visit our house—my daily routine consisted of coming home from school, checking in for headcount, immediately escaping to a friend's house or going out alone to play, then reporting back for dinner at our kitchen's grim mess hall before bed check.
You might expect that this drill would be different on Halloween in the most celebrated Satanic household of the 70s, but Halloween was the same old same old. Rituals were only held for the rubes—no special ceremonies necessary for family, who were all a part of Chez LaVey's mitt-camp (criminal fortune-telling rings of the carnival). We didn't spend Halloween celebrating spooky self-indulgence. We spent the harrowing night warding off the many thrill seekers who picked our infamous dwelling as the perfect target-practice for Halloween vandalism. It was bad enough this was a problem every night of the year, but on Halloween it was guaranteed that maniacs would use our house for even more imaginative drive-bys.
Like a Dickensian feral child, I always found other neighborhood kids whose parents let me tag along on Halloween nights, to make sure I was safe.
When I was eight years old, I thought I had my Halloween strategy all worked out. One of my best friends, Frankie, a Chinese boy with a Siamese cat named Mamacita, persuaded his father to take us trick-or-treating. Frankie would dress as Batman, and I would dress as Catwoman. We spent weeks preparing for Halloween, ardently studying Batman reruns, learning our lines, staging dress rehearsals, and getting all our gear in order for the big day.
Frankie and I had a lot of adventures together, encouraging each other into mischief. One day when I showed up for our Halloween training, Frankie was particularly excited about something. In hushed tones, he said he had something to show me. We went into his parents' room, and as he pulled a cardboard box from under his father's bed, he enthusiastically told me, “I found a Q-U-I and other cool magazines! You won't believe it!”
What the hell is he talking about? “What's a Q-U-I?” I asked.
“You know,” he said, “magazines for men!”
Oh! Just as my eye landed on the title, it hit me, “You mean Oui! Sure, I know Oui. My father's got tons those kinds of magazines.” (Frankie misread the title of the October '72 premiere issue as beginning with a “Q.”)
Okay. So soft-core porn was a big news to Frankie, but it was small potatoes to me, considering I belonged to a family who first come to prominence having salacious rites covered in porn rags. Cute, I thought. But let's get back to Batman. So we didn't give it much more thought about the magazines... until the big day.
Halloween night 1972: I methodically got all decked out in my sexy hand-me-down black leotard, tights and turtleneck sweater. Applied my whiskers, tail, and cat ears. Added some Julie Newmar eyebrow pencil and super sneaky-silent ballet slippers for paws.
Every good little ghoul knew it was bad luck to begin trick-or-treating before sundown. But by 5 PM, I couldn't contain myself any longer. I bolted out of that black house like a cat out of hell. Pillowcase in hand, I charged over to the corner grocery store where Frankie lived in the upstairs flat. After a while, I banged impatiently on his door. I could hear Frankie padding down the stairs. Good! I thought. Now we're getting somewhere!
When Frankie opened the door, NOT in Batcostume, my heart sank. What happened? Frankie simply said, “I can't go with you tonight. My father found out about the Q-U-I,” and then shut the door.
To keep San Francisco safe, Catwoman prowled the darkened streets without the Caped Crusader. I spent a very scary couple of hours stalking the avenues alone, ardently fulfilling my Halloween vow: Give me trick-or-treat or give me death.
That Halloween night abruptly came to an end when I knew I'd gone to the wrong house. I ascended the stairwell to a flat absent of festive Halloween decorations, but took my chances ringing the bell in pursuit of one last Snickers bar or pack of Fizzies. The creepy, disheveled occupant looked at me like a trap-door spider looking at its prey.
He grinned with an unfriendly smile and said, “What do you want?”
Immediately, I realized I'd come to the wrong door. I made something up about confusing the house with my friend's and pivoted to leave. But he grabbed my arm and said, “That's okay, I don't have any candy, but you can come in, and I'm sure I can find something.” In a nanosecond, the survival fear-reflex propelled me down the stairs and straight home.
Just one of many close calls in my life. But as you can see by the photo of the booty I plundered, my rat Orwell was happy I returned home safely.
After renouncing Satanism in 1990, in favor of sharing life with more considerate and generous entities, I'm freed up to fully enjoy Halloween as I never could when I served in defense of an ungrateful devil." --Zeena Schreck
Posted to VICE magazine website on October 26, 2013, 3:00pm at: https://www.vice.com/en/article/4w7dg3/halloween-in-a-satanic-household
To celebrate October World Animal Month*, Zeena honors our non-human companions in a limited edition 2021 photo-art calendar. Vibrant original works for monthly contemplations on themes of animal rights and spiritual liberation.
The calendar is printed on fine art quality premium paper suitable for cropping and framing after use.
Dimensions: 300x200mm / 8”x11½”
Personalized autography option located in the drop-down menu. If you have animals (or a group of animals) for which you'd like Zeena's personalized blessings, simply send your and their (the animals) names to firstname.lastname@example.org to be added to her personalized message. To ORDER click HERE.
To U.S. Customers: If you're ordering this as a gift, please consider that due to severe restrictions on parcels entering the U.S. from overseas, delivery is only allowed via ship and can take up to 8 weeks to reach destination. You will receive an email notification the day your order is sent, with tracking number, so you can follow its status.
Message from Zeena about the calendar below.
*A brief history of World Animal Day (and month) at the end of this post.
Message from Zeena:
“How many of our lives would feel incomplete without our magical familiars, totem animals, or service and emotional support animals? How many of us also feel compassion for the unseen, forgotten, unloved, feral or endangered animals? Within my 'Blessed Beasts' calendar, each tableau reveals the deeper emotional intelligence of the lovely creatures depicted. Sometimes it's in their expression, their body language, a knowing glance or an attitude which conjures a sense of loyalty, companionship, nobility, or wisdom. For pagan and shamanic religions, all animal species have inherent magical powers associated with and symbolizing different aspects of different gods. On the basis of my Tibetan Buddhist yogic training, I patiently develop a rapport with the animals I photograph by chanting specific tantric Buddhist mantras which gradually relax and open the beasts to loving-kindness and the liberating vibrations of these ancient sacred syllables. Hence the title, 'Blessed Beasts.'
In relation to the theme of the 2021 calendar, as well as October being World Animal Month, I ask you to consider donating or volunteering to any animal welfare organizations of your choice (if you don't already). In these difficult times, during the world-wide pandemic and its collateral damage, let's not forget the brave warriors who risk their own safety, health and emotional well-being to continue caring for animals in need. I have my preferred animal aid organizations to which I regularly contribute. But it really doesn't matter whether you do so for a small animal protection group in your own town, or to the neighborhood feral cat lady or bird man who contributes their free time caring for injured and sick wildlife, or whether you choose a reputable international organization – please consider making a donation to help any of them!
For more information on spiritual practices for your animals, including prayers for sick and dying animals, I recommend Lama Zopa's Enlightenment for the Dear Animals website at https://enlightenmentforanimals.org/
In closing, I send blessings and prayers to all animals and those humans who help them, and especially those who have suffered and perished this year as the result of natural and man-made disasters.
May the creatures you aid today return to you as Enlightened Mother Beings of your future lifetimes!
-Om Mani Padme Hum-
Brief History of World Animal Day/Month:
'World Animal Day' is celebrated each year on October 4th. World Animal Day was originated by the specialist in canines, Heinrich Zimmermann. He organized the first World Animal Day on 24 March 1925 at the Sport Palace in Berlin, Germany. Over 5,000 people attended this first event. The event was originally scheduled for 4 October, to align with the feast day of Saint Francis of Assisi, a nature lover and patron saint of animals and the environment. However the venue was not available on that day. The event was moved to 4 October for the first time in 1929. Initially he found a following only in Germany, Austria, Switzerland, and Czechoslovakia. Every year Zimmermann worked tirelessly on the promotion of World Animal Day. Finally, in May 1931 at a congress of the International Animal Protection Congress in Florence Italy, his proposal to make 4 October World Animal Day universal was unanimously accepted and adopted as a resolution. Today, World Animal Day is a global event that unites the animal protection movement agencies and has expanded to encompass the entire month of October with different events globally.
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Zeena is an entirely independent, self-funded artist.
Her livelihood and funding for creative projects rely solely on commissioned artwork, teaching and lecturing engagements, performances and purchases of her products and music, as well as from donations from private patrons and sponsors.
If you would like to pledge your support towards the production costs of current works in progress, please use the PayPal donation button at the top of page.
Thank you for your support of Zeena's work!