In the Sethian Liberation Movement, the birth of the ancient Egyptian deity Seth/Sutekh is celebrated annually for a thirteen day cycle between 16th-29th of July. To mark the conclusion, Zeena releases two additional new designs to her Magic and Mysticism apparel collection. Descriptions below! You can also check them out on our new Etsy shop!
This design by Zeena incorporates a rare ancient Graeco-Egyptian depiction of the god Seth in warrior pose with the head of a donkey and two serpentine legs, bare-chested wearing a fustanella and brandishing dagger and shield. This is perhaps the clearest example of the Seth-Typhon-Abraxas merging of iconography, mysticism and ritual traditions from the Graeco-Egyptian magical gnostic era approximately 2,000 years ago. The background is an invocation comprised of an unbroken stream of the barbarous names of Seth.
Ready - Set - Go!
Milarepa mantra chanted during meditation by Zeena for CHÖKHOR DÜCHEN, 2017.
In the Buddhist tradition, today is celebrated as the first teaching given by the Buddha Shakyamuni after attaining Enlightement. Any mantras recited on this day accumulate the positive merit ten million times.
During the day's mantra meditations, as Zeena chanted the Milarepa mantra, birds came to listen.
The Tibetan sage Milarepa, born nearly a thousand years ago, was a powerful black magician in Tibet who renounced his sorcery ways, dedicating himself to the Dharma teachings. As a result, he become fully enlightened in one lifetime.
Milarepa is not only a source of inspiration to Zeena, who has also followed a similarly extreme path in life, but it is also into his lineage that she is initiated by her heart lama H.E. Ayang Rinpoche, one of the yogi lineage holders who has maintained Milarepa's teachings in pure, undiluted and unbroken form.
Gratitude to H.E. Ayang Rinpoche for the image of Milarepa, Vajradhara and Vajrayogini used at the beginning of the video and for his wisdom and compassion which are boundless.
To learn more about the magical life of Milarepa, visit this page.
A slideshow and video from the Summer Solstice ritual can be now be seen on the
NEW permanent feature 'Photo Gallery of Events and Activities' page of our website.
Click on this link:
Video clip of the ritual is below in this post.
Thanks goes out to author Jamie Mason for posting this very thoughtful message in response to a correspondence he had with Zeena relating to his mother's recent death. Below you will find his kind message, and below that, the letter from Zeena to which he's responding.
If there are any other requests for blessings at next week's Summer Solstice ritual, please write clearly what the blessing is for (i.e., deceased being, or sick person or animal), briefly state what the purpose of the blessing is. They will be added to the ritual.-Om Ami Dewa Hri-
Jamie's message below:
The following is the email from Zeena to Jamie to which he refers:
Sent: Saturday, June 17, 2017 6:30 PM
Subject: Re: Letter to Zeena Schreck [pls. forward]
Thank you for your recent letter. I appreciate your explaining the complicated and challenging upbringing you surely experienced.
For now, because of the timing, I will address the issue which first inspired you to write:
I'm very sorry for what you are experiencing surrounding news of your estranged mother's death (which is now over a month ago) and the accompanying hostility from family.
I understand and empathize with your mixed emotions about your mother's passing, a once in a lifetime experience. Such dysfunctional family situations are especially difficult at the time of death, when unexpected behavior among family inevitably arises and emotions are raw.
Nonetheless, right now, your mother's consciousness is still wandering within the 49 day transition between this life and where she will take form next. Her Bardo phase will end approximately on June 29, so her consciousness is still able to perceive faint traces of this world, and connections to it, albeit it with more difficulty with each passing day.
However, she can still be contacted. So it was very fortunate that you happened to make contact at this time and that the time coincided with this Summer Solstice ritual.
The mother-child bond is very revered within the Tibetan tantric practices and teachings. With applied focus techniques I've learned from my heart lamas (the old-school first-generation of exiled lamas), I will focus especially on the aspect of dissolving the karmic sources of pain and suffering on both of your sides so that there should be no clinging to resentments, animosities or hostilities. Such destructive emotions only cause worse problems for all concerned. There is nothing more she can do to you now. Now you are in a stronger position to be for her what she couldn't be for herself or others.
The part of the ritual where I do the blessings and release for the deceased will occur at roughtly 9:45PM CET, which would be about 12:45PM PST. It would be good if you could simultaneously perform whatever mind clearing meditation that you know, focusing on only peaceful thoughts. If it helps stabilize your visual field, and the mind from wandering, use the support of a white candle flame to gaze upon, allowing yourself to become relaxed within the warmth of the flame for several minutes, keeping the breath even and relaxed.
From that warmth, allow peaceful, loving thoughts to emanate for your mother, visualizing her perfected self, free of the defilements she had in worldly life. Then visualize her being absorbed within the Pure Light, released from cyclic suffering and uncontrollable rebirth. Try to not think but just experience non-judgmental loving-kindness. This is one reason why these practices are called "the Heroic Path." Because to emanate loving-kindness, especially to those who've hurt us most, requires a heroic constitution, carried out from a place of strength, understanding and compassion.
May you have Peace within the Eye of the Storm,
Om Mani Padme Hum
Jamie Mason's books are available online and personal writings on his blog at https://jamiescribbles.wordpress.com/
EXCLUSIVE- Zeena will conduct a rare Summer Solstice Ritual and Blessing by the Sea in Italy: Open to the first 12 people to reserve their place. A teaching with guided practice and the possibility for individuals' questions answered are also included in the ritual event. More details below in Italian language, then followed by English.
Because of the very limited number of participants allowed, to reserve a space NOW use THIS PayPal Button:
ESCLUSIVO: Zeena guiderà un raro rituale Tantrico-Sethiano per il Solstizio d'estate con la benedizione del mare italiano, l'evento è limitato ad un gruppo di 12 persone. Durante la giornata saranno inclusi anche alcuni insegnamenti aggiuntivi con pratiche guidate.
Seguono più dettagli.
* In sintonia con il lignaggio yogico del saggio buddhista tibetano Milarepa, a cui Zeena è iniziata, il tema dell'insegnamento sarà basato sulla consapevolezza intuitiva che il guru avrà al momento dell'insegnamento, e riguarderà quindi ciò che sarà più utile in quell'istante per i partecipanti. Per questo motivo, il tema dell'insegnamento non potrà essere annunciato precedentemente.
* L'insegnamento inizierà alle 15.30 ed includerà istruzioni sulla pratica dello yoga; verrà dedicato del tempo per fare in modo che i partecipanti siano guidati attraverso la pratica.
* Ci sarà tempo per domande brevi e conseguenti risposte.
* Alle 18.00 dopo l'insegnamento, ci sarà un piccolo break per cenare.
* Ognuno dovrebbe portare con sé il cibo che preferisce, non possiamo accontentare ognuno con dei piatti speciali. Ma ci saranno alcuni snack leggeri per tutti. Vi preghiamo di portare anche le bevande di cui avete bisogno. Per rimanere vigili durante l'insegnamento e il rituale, si chiede di astenersi dal bere alcolici finché non sia giunto a termine il tutto.
* La pausa serale durerà approssimativamente tre ore. Durante questa pausa sarete liberi di andare fuori a passeggiare, parlare con gli altri, fermarvi o visitare la spiaggia. Ma per favore siate puntuali per il rituale che inizia alle 21.
* Incontro privato con Zeena: se qualcuno ha domande personali sulla spiritualità o l'iniziazione, potrà farle durante la pausa serale. Quando farete il pagamento tramite PayPal siete pregati di far notare che volete anche parlare in privato, oppure rendetelo noto a un assistente durante il seminario.
* Il rituale avrà inizio alle 21.00.
* Richieste di benedizione per sé stessi, per gli altri o per animali, potranno essere scritti sulla carta e dati a Zeena alla fine del rituale.
* CHIUNQUE NON POSSA PARTECIPARE, MA VUOLE COMUNQUE CHE LA PROPRIA RICHIESTA DI BENEDIZIONE SIA INCLUSA ALLA FINE DEL RITUALE, è pregato di mandare solo il proprio nome OPPURE il nome della persona o dell'animale per cui è la benediIone a firstname.lastname@example.org. Scrivete chiaramente il motivo per cui chiedete la benedizione (es. esseri deceduti, persone malate o animali), oppure brevemente lo scopo per cui è la benedizione. PER FAVORE, NON LETTERE LUNGHE!!! Solo il nome e lo scopo. Sarà aggiunto al rituale.
*L'evento si concluderà alle 22.00.
*Per domande rivolgersi a email@example.com .
ENGLISH VERSION :
EXCLUSIVE: Zeena will conduct a rare Tantric Sethian Summer Solstice Ritual and Blessing by the Sea in Italy to a limited group of 12. Additional Teaching with guided practice also included. – more details below.
*In accordance with the yogic lineage of the Tibetan Buddhist sage Milarepa, from which Zeena is initiated, the theme of the teaching is based on the guru's intuitive understanding of what the participants need at the time of the teaching. Therefore, the theme of the teaching cannot yet be announced.
*The teaching begins at 15.30 which includes instructions of yogic practice plus time for participants to be guided through the practice.
*There will be time for short questions & answers afterwards.
*At 18.00, after the teaching, there will be an evening break.
*Everyone should bring their own preference of food, for themselves - we cannot accommodate each person's special food wishes. But there will be some light snacks for everyone. Please also bring your own drinks. To remain alert through the teaching and ritual, we ask that you to refrain from drinking alcohol until the teachings and ritual are over.
*The evening break is approximately three hours. During the evening break, you're free to go for a walk, talk with others, rest or visit the beach. But please be on time for the ritual which begins at 21.00.
*Private Meetings with Zeena: If anyone has spiritual or initiatory questions of a personal nature for Zeena, there will be time during the evening break to do that. When making your Paypal transaction, please note that you would like to speak privately, or mention it with one of the assistants at the seminar.
*The ritual will begin at 21.00.
*Requests for blessings for yourself or others, or for pets/animals may be written on a paper and given to Zeena at the end of the ritual.
*ANYONE NOT ATTENDING, BUT WHO WOULD LIKE THEIR REQUESTS FOR BLESSINGS TO BE INCLUDED AT THE END OF THE RITUAL, please send only your name OR the name of the person or animal for whom the blessing is for to firstname.lastname@example.org. Write clearly what the blessing is for (i.e., deceased being, or sick person or animal), or briefly what the purpose of the blessing is. NO LONG LETTERS PLEASE!!! Just a name and purpose. They will be added to the ritual.
*The entire event concludes at 22.00.
*For any questions, contact email@example.com.
Zeena Schreck performing Kali Invocation at Neurotitan Schwarzenberg Gallery Berlin, January 14, 2017
Presented by Viviana Druga for Urban Witches not Bitches#2 Exhibit.
Percussion and shruti box: Brandon Rosenbluth
Background Artwork: Shaltmira
Filmed & edited by
Thorium Heavy Industries
Audio/video engineering by
The Man with the Green Gloves.
Twenty-five years ago today, Radio Werewolf ceremonially concluded its seven year sonic-magic cycle with The Zürich Experiment, held at the historic Kaufleuten concert hall, Zurich, Switzerland at Midnight, December 30, 1991. The live track in this post is from that event, digitally remastered in 2012, for The Vinyl Solution - Analog Artifacts: Ritual Instrumentals and Undercover Versions. Video collage by Tony Sokol.
Text to "Prologue: Turn Off, Tune In, Drop Out" :
[Voice: Master of Ceremonies Wolfgang]
Willkommen beim Zürich Experiment.
Sie sind hier zusammengerufen worden, um an einem historischen Experiment in akustischer Magie teilzunehmen. Während der nächsten Minuten wird Ihr Verstand von vielen Jahren Programmierung, Fehlinformationen und gesellschaftlicher Kontrollmechanismen gesäubert und befreit werden.
Heute nacht haben Sie aus freiem Willen eine andere Dimension des Denkens betreten. Am Ende des Experiments werden Sie nicht mehr dieselbe Person sein wie bei Ihrer Ankunft an diesem Ort.
Welcome to the Zurich experiment.
You have been summoned here to participate in a historic experiment in acoustic magic. During the next few minutes, your minds will be cleansed and freed from many years of programming, misinformation and social control mechanisms.
Tonight you have voluntarily entered another dimension of thought. At the end of the experiment, you will not be the same person as you were when you arrived at this location.
[Voice: Alpha She-Wolf Zeena]
Good Evening. You've tuned into Radio Werewolf, the Voice of Terror, broadcasting at a frequency of 666 megahertz. The following is a Transmission of the Nightmare Network.
Prologue: Turn Off, Tune In, Drop Out
The Vinyl Solution
Live at The Zurich Experiment, Dec. 30, 1991
Vocals: Zeena & Wolfgang
Sound recordings: Zeena
Copyright 1991 All Rights Reserved
Visual Choreographer: Tony Sokol
"On this darkest night of the year, may all survivors of war and violence be blessed with strength, perseverance, peace and an end to suffering.
May we take a moment of silent contemplation, during our Yuletide festivities, to honor those who have perished as the result of war and mindless violence."
-Zeena Schreck, Winter Solstice 2016
Photo of Gen. George S. Patton's dog, Willie, mourning Patton's death.
"How awful war is. Think of the waste." -Gen. Patton, moments before the car collision in Heidelburg, Germany that ended his life on Dec. 21, 1945.
John Murphy, pioneering music veteran of Experimental Post-Punk and Proto Industrial genres, shed his mortal coil on October 11, 2015.
Anyone who knew John Murphy, knew him as the 'quiet one', the one who was never arrogant or scene-stealing. He was happy to stay settled behind his drum set, playing for and collaborating with an array of artists. Although his musical career spanned four decades, one is hard pressed to find the same abundance of images of John as for other musicians.
He came out of the 70s Melbourne Little band scene and was instrumental in the development of experimental, post-punk and proto-industrial music. Although he was percussionist to many bands, a quick search through music videos shows that he's usually obscured or conspicuous by his absence. As a photographer, it was a rare opportunity and privilege for me to be able to capture John for an exclusive portraiture photo shoot last year. The session was at NK in Berlin during a rehearsal for an upcoming performance with Nikolas Schreck.
Some of the photos I took that day illustrate this tribute and memorial to John. You are welcome to share them, with photo credit to my name, Zeena Schreck.
Many who worked with John knew he had been struggling with illness for quite a long time. But he concealed exactly how ill he already was. Music was his entire life and it was clear that the thought of retirement, or resting out the illness, was not an option in John's mind. I was therefore very fortunate to have John perform with me earlier this year at WGT. It was a musical ritual invocation to Seth, the ancient Egyptian god who guides safe passage through death to immortality. It was to be John's second to last performance.
On the night and early morning of John's passing, he was not alone. He was surrounded by a lot of love from his wife, Annie, and a small circle of close friends. I was among them. At his request, and according to his religious beliefs as a Gnostic Christian-Tibetan Buddhist, I conducted the customary Tibetan tantric Buddhist and ancient Gnostic Sethian transference of consciousness rites which bridged his passage from this waking dream reality into the ultimate reality of pure light. It was a peaceful process. John is now liberated from all pain and suffering.
Awake in peace,
You-whose-Face-is-behind; in peace,
You-who-sees-behind; in peace,
Ferryman of the sky; in peace,
Ferryman of Nut; in peace,
Ferryman of the gods; in peace.
John Murphy has come to you that you may ferry him in that ferry with which you ferry the gods.
OM AMI DEWA HRI
"Legendary Magic Practitioner Zeena Schreck Returns To European Music Scene For First Time In 24 Years This Saturday, May 23
"Mystic and avant-garde musician Zeena Schreck will make her first appearance on the European music scene for the first time in 24 years this Saturday, May 23, 2015, at 7 p.m. Zeena will perform a unique ritual soundscape in Leipzig's Egyptian Museum.
"Zeena, 51, was a composer, vocalist, musician and graphic designer for the sonic magical music project Radio Werewolf from 1988 to 1993. She is also High Priestess of Seth and leader of the Sethian Liberation Movement, making the sacred, magically charged ancient artifacts housed in Leipzig's Egyptian Museum an ideal venue to present ancient Egyptian aspects of the artist's spiritual practices.
"This is the second in a series of ritual musical installments inaugurated with the 2013 performance-art Performa 13 event "Frank Haines presents Zeena Schreck: Live from the Eye of the Storm," in New York City.
"As former co-director of the magical resistance circle The Werewolf Order from 1988-1999, Zeena's musical compositions are featured on the Radio Werewolf recordings "The Lightning and the Sun," "Songs for the End of the World," "Bring Me the Head of Geraldo Rivera!," "Love Conquers All, and Witchcraft/Boots: A Tribute to the Sinatras,"
"Because of limited seating at Zeena's upcoming WGT event, there will be an autograph signing after the concert which will also be open to those who exceeded the seating capacity but who stay for an in-person autograph.
"After the performance, Zeena will sign her own creations, which means she will not "sign any copies of 'The Satanic Bible,' Harry Potter and the Sorcerer's Stone,' 'The Book of the Law' or 'The Joy of Cooking.'"
Read more at:
ZEENA'S Wave-Gotik-Treffen PERFORMANCE LISTED in this WEEKEND'S HIGHLIGHTS
MDR [Mitteldeutscher Rundfunk] Kultur Seiten Reports:
Klang-Ritual und Spiritualität
Im Ägyptischen Museum hat sich die in Berlin lebende Amerikanerin Zeena Schreck angekündigt, deren Klang-Performance "ein akustischer Samen für die spirituelle Befreiung und Erleuchtung des geneigten Publikums" darstellen soll, wie es auf ihrer Facebook-Seite heißt. Die Tochter der Church-of-Satan-Gründer und Ex-Frontfrau der Band "Radio Werewolf" leitet heute eine spirituelle Bewegung, die sich an einer ägyptischen Gottheit orientiert, und gibt Tantra-Kurse.
Saturday, 23rd May 2015 Ägyptisches Museum - Egyptian Museum
07:30 p.m. (admission: 07:00 p.m.)
Concert: Zeena Schreck - „A Typhonian Tantric Ritual Soundscape“
"24 long years her followers had to wait to see her make a public appearance in Germany. This year, the time has come: Zeena Schreck returns with a magic-sound „performance“, a truly historic event and far more than a pure secular music experience - rather a divine blessing incarnate, an acoustic seed for spiritual liberation and enlightenment for the audience, given by one of the most colorful and distinctive personalities of modern magic and mysticism - and not to forget, visually framed by the collection of sacred artifacts of the Egyptian Museum Leipzig."
[BOOK REVIEW by ZEENA]
Today I received a review copy of a new German book I'm featured in: 'Mythos Wewelsburg: Fakten und Legenden' (The Wewelsburg Myth: Facts and Legends) – sent directly from the Kreismusum Wewelsburg.
The authors, Daniela Siepe and Kirsten John-Stucke provide an excellent historical overview, and leave no stone unturned, in exploring all of the legends and realities surrounding the notorious and mysterious Wewelsburg castle. For German speakers who have an interest in this strange and misunderstood edifice, its history and cultural influence, I highly recommend this volume. Comprehensively researched with detailed notes and historical context, this volume includes so many obscure facts and references that even those well versed in the Wewelsburg legend would be surprised to learn yet more.
For those who are not familiar with the Wewelsburg, it is a 9th century German castle that first came to world-wide attention as the “Grail Castle” of the Nazi SS. Purported to be a mystical location chosen personally by Heinrich Himmler (Reichsführer-SS), it was to become an SS leadership school and the headquarters for what Himmler believed would be a German equivalent of the Arthurian 'Nights of the Round Table,' or the stage for a living Parsifal epic.
Following the end of WWII, countless legends arose surrounding this edifice, many having to do with secret cult rites and the structure having a supernatural energy, comparable to Externsteine or Stonehenge. Such legends sparked the imaginations of many authors, filmmakers, musicians, artists, political extremists, UFO fanatics, conspiracy theorists and occultists.
At a time in my life when I was questioning the inconsistencies of the philosophical and religious framework within which I was raised, I began my own ardent spiritual quest. I needed to find the roots of, and truth behind, many of the figures, legends, and nomenclature which my father misappropriated for his newly created pseudo-religion. So, in 1992, I organized a personal pilgrimage throughout Germany to many sacred sites which I'd learned of early in life. I documented my journey along the way in a video-poem entitled Germania: The Theory of Ruins. One of the target sites of my journey was the Wewelsburg, where I conducted a private ceremony and oracular magical Working. The purpose of the rite was to attain insight into the reason this castle was so strongly associated with the Grail Quest, and to learn what a 'Grail Quest,' – or more specifically, what The Grail – truly is. Slipping through the bars of the iron gate to the legendary crypt, I was prepared to take on this heavy philosophical question in a spontaneous meditation.
Author Daniela Siepe summarized our in-person conversation about this private magical ritual in 'Mythos Wewelsburg: Fakten und Legenden.'. I share with you the email follow-up to our in-person interview; the information in my message was incorporated into the book:
Sent: Tuesday, July 23, 2013 5:21 PM
Subject: Re: Grail Ritual
About the Grail ritual itself: You mentioned some points which I think might have come from things Nikolas talked about during our interview, as well as combining it with your thoughts on our EP "Bring Me the Head of Geraldo Rivera" (Lucifer's Court track). I can clarify some of that.
During our interview, it was Nikolas who mentioned his interest in the legend of the Grail being the Emerald that fell from the crown of Lucifer during the battle with Michael and the angels. That was the connecting thread to Otto Rahn. But this was not my reason or point of interest in wanting to find "What Is the Grail" during my Wewelsburg working.
Our use of the title Lucifer's Court on our recording occurred while we were still representing satanism (I was still the Church of Satan's High Priestess and spokesperson) and using it on that recording reflected where we were at that point in time. But that was three years before my Wewelsburg working.
By the time we broke with the Church of Satan (in 1990) and began exploring more deeply into these references and figures, I realized that I was really more drawn to the same ancient legends which inspired the personalities we were researching while living in Vienna. All my life I've been driven by such things as fairy tales, sagas, mythology, folk legends, etc. Therefore it wasn't the humans involved in these various Teutonic occult orders and societies that interested me. What interested me was the same eternal phenomena which those people also explored.
It wasn't long into our research of these 19th century European occult figures (Rahn, von List, Sebbotendorf, Weistor/Wiligut, von Liebenfels etc.) that I found the same reactionary, misogynistic and fundamentally subjective fantasy role-playing (albeit on a more intellectual level) as was with the occult world of satanism I'd just left. So, metaphorically speaking, if a house of cards is built on a weak foundation of sand, how valid can one regard the entire philosophies of such people?
It was clear that, despite their interest in ancient legends, they were missing a big piece of the puzzle in their mystical portrayals and projections. Only when I made my first pilgrimages to the same mystical locations that were to hold such significance to these men, did I experience first-hand that visceral, intuitive feeling that they were "missing something". But I, myself, didn't yet know exactly what the "Something" was.
Hence, my ritual at Wewelsburg and the documentation of many of the other places I and Nikolas made spiritual pilgrimages to in Germany and Austria in our quest for deeper answers. So when I performed the ritual at Wewelsburg, for me, it had nothing to do with the Emerald from Lucifer's Crown.
You asked, "So, during your Grail ritual you were standing in the middle of the Crypt with your arms raised high. – Was this a symbolic gesture – such as the sign of the Ka? Or just a gesture which enabled you to take a deep breath?"
The position was mostly for the following two reasons:
1. To become the grail, from which I was summoning answers, I needed to take the form of the grail as we know it, in a chalice-like shape (i.e., sympathetic magic, for example if you wish to know the mystery of the Sphinx, it helps to take the position of and embody that energy).
2. The body in this position/asana becomes like a musical tuning fork and is more sensitive to a wider range of subtle to greater vibrations. I had been practicing tantra for two years by that time. So I was sensitive to how the body should be held to promote energy flow for certain purposes. When you begin in this position you raise your head upwards and slowly bring it down to find the proper alignment with the spine. This enables the best, unblocked flow of energy rising upwards through all the chakras, through the central channel and out the top of the head. It also promotes even, smooth breath flow. In order to open yourself up for the answers you seek, it's very important to clear everything out of your head and have even energy flow throughout your body.
You asked, "Is it correct to say that you made a humming sound (German: Summen)? And then you sensed the vibrations of the sound in your chest – while you focused (sich konzentrieren auf, meditieren) on the question “What is the grail?” "
That's correct. The sound must be with the mouth open (not closed as in a hum). The particular syllable sound I made helps to clear the chakras but must be done with the mouth open. There is only one part at the end where the mouth closes to finish the mantra.
The sensations, or vibrations, felt were throughout the body, not only the chest. The feeling began in the heart area and gradually spread ever outwards throughout the whole body. A very open, wide and expansive feeling.
Secondly, while I'm opening myself up as I'm standing in that central spot, it's important to not think anything. The purpose for the working, "What is the Grail", is well established in focused attention directly before beginning the ritual. Once in the ritual, that thought must be dropped and no thought can enter but rather one should be very aware of what is experienced, without expectations.
Using this method, the mind will be best prepared to receive signs and answers. The innate wisdom of the mind must not be forced, steered, clouded or manipulated into any predictable, or accidental, direction by the subjective wishes, interests or preferences of the individual's personality.
You asked, "In this moment you realized that the grail is no tangible object, but a part of a human being himself. You cannot look for the Grail on the outside, you have to become the grail yourself (meaning you have to feel your own strength?, rely on your spiritual side which has access to a primordial wisdom??)"
Yes, this is all correct as it happened (in a brief description).
To make the wording more precise, I'd say it like this:
"In this moment you realized that the grail is no tangible object, but a part of a human being himself. You cannot look for the Grail on the outside, you have to become the grail yourself (meaning you have to awaken to your spiritual side which has access to your primordial wisdom."
We all have this potential, but don't always know how to use it or access it. This is why the legend of the Grail is always a quest, whether interpreted or experienced as the spiritual inner quest or written about and described in stories and legends as an outer physical quest.
They are two levels of understanding, one esoteric (feminine-based and directly receiving the wisdom, i.e., left-hand path in practice), the other exoteric (male-based and documenting the wisdom, i.e., right-hand path in practice). When I use these terms left-hand path and right-hand path it should be clarified that it is in the authentic tantric meaning - not the Western occult definition.
I hope this helps to give a little more detail to that experience. I'd be happy to talk with you by phone or Skype if there's anything else you'd like to ask or clarify.
Wishing you the best of Life, Strength, Health and Happiness!
More information on Wewelsburg or 'Mythos Wewelsburg: Fakten und Legenden'
HEATHEN HARVEST:"ZEENA SCHRECK Performs a Typhonian Tantric Ritual Soundscape at the Egyptian Museum, Leipzig"
Read the full Heathen Harvest article at: http://heathenharvest.org/2015/04/18/zeena-schreck-performs-a-typhonian-tantric-ritual-soundscape-at-the-egyptian-museum-leipzig/
FOR IMMEDIATE RELEASE
Zeena Schreck Returns To The German Music Scene After 24 Years
Performing A Typhonian Tantric Ritual Soundscape at the Egyptian Museum, University of Leipzig
Presented by: Wave-Gotik-Treffen festival for dark music and arts.
Saturday May 23, 2015 - Doors open at 7PM
Egyptian Museum of the University of Leipzig - Prof. Dr. Hans-W. Fischer-Elfert // Goethestraße 2 //
Admission with the WGT pass // no reserved seating
After a twenty-four year retreat from the German music scene, this event is Zeena Schreck's return to
sonic magic performance-art appearances in Europe. An historical event by a legendary figure of modern
magic, mysticism and experimental-ambient music – this is more than just a secular musical concert. It will
touch the audience with divine blessings and plant the seeds necessary for spiritual liberation and
Surrounded by the sacred, magically charged ancient artifacts housed in Leipzig's Egyptian Museum, the
performance will be a unique ritual soundscape. Zeena is also High Priestess of Seth and leader of
the Sethian Liberation Movement. Therefore, the Egyptian Museum is a prime genius-loci to present
ancient Egyptian aspects of Zeena's spiritual practices.
This is the second in a series of ritual musical installments inaugurated with the 2013 performance-art
event at The Community Church of New York, curated by Performa-13.
Historical Context: The Leipzig-Seth-Abraxas Connection
Professor Albrecht Dieterich, a student of the University of Leipzig, wrote the first study in modern times of
the god Abraxas with his influential Abraxas: Studien zur Religionsgeschichte des spätern Altertums
published in Leipzig in 1891. He was also one of the first scholars to work with the Greek Magical Papyri or
Papyri Graecae Magicae, a collection of ancient magical spells, formulae, hymns and rituals collection
from Graeco-Roman Egypt, a body of treatises essential to Zeena's work reviving an authentic Sethian
religion in modern times.
Continuing the Leipzig and WGT connection to the ancient Egyptian god Seth, Karl Preisendanz collected
the texts and published them in two volumes in 1928 and 1931. A projected third volume, containing new
texts and indices, reached the stage of galley proofs dated "Pentecost 1941", (WGT is always held on
Pfingsten or Pentecost) but the type was destroyed during the bombing of Leipzig during World War II.
Zeena Schreck (b. 1963, San Francisco/U.S.A) is a graphic artist, photographer, avant-garde musician,
author and animal rights activist. Between 1988-1993 she was 50% of the sonic magical musical project
Radio Werewolf and served as composer, vocalist, musician and graphic designer for all Radio Werewolf
albums and products.
At sixteen Zeena began lecturing and teaching magic and sorcery. At a comparatively young age, she held the
highest possible leadership positions in three of the most notorious occult orders of modern times:
High Priestess of The Church of Satan, High Priestess of The Temple of Set and Female Alpha of The Werewolf
Order. This unprecedented status has never been matched by any other occult figures in history.
In 1990 she rejected all forms of satanism and western occultism and publicly proclaimed such pseudo-religions
as spiritually fraudulent and inherently destructive.
Since then, she has focused her spiritual pursuits exclusively in the mystical practices of ancient Gnostic
Sethianism and the original Eastern left-hand path of Vedic tantra (Shaktism) and Buddhist tantra (Tibetan
Buddhism). She is an initiated yogini in the tantric Buddhist lineages of Nyingma, Karma Kagyu and
Drikung Kagyu and teaches in Berlin.
Interview requests should be directed to firstname.lastname@example.org