​For Black Friday weekend beginning now until Nov. 30Th, get a 20% discount on all Featured Products on this site and at Zeena's Bandcamp site.
Use this discount coupon: Blackweekend20 when ordering! Good on all music, new products, apparel, limited editions and vintage items!

The Blessed Beasts 2021 calendar is now almost completely sold out (only 16 left). Grab one while you can and don't forget to use the discount code: Blackweekend20 
*Personalize autograph option for you and your animal companions also offered.

 The calendar is printed on fine art quality premium paper suitable for cropping and framing after use.
Dimensions: 300x200mm / 8”x11½”

Personalized autography option located in the drop-down menu. If you have animals (or a group of animals) for which you'd like Zeena's personalized blessings, simply send your and their (the animals) names to kch_info@yahoo.com to be added to her personalized message. To ORDER click HERE.

To U.S. Customers: If you're ordering this as a gift, please consider that due to severe restrictions on parcels entering the U.S. from overseas, delivery is only allowed via ship and can take up to 8 weeks to reach destination. You will receive an email notification the day your order is sent, with tracking number, so you can follow its status.  

Message from Zeena about the calendar below. 
​*A brief history of World Animal Day (and month) at the end of this post.

“How many of our lives would feel incomplete without our magical familiars, totem animals, or service and emotional support animals? How many of us also feel compassion for the unseen, forgotten, unloved, feral or endangered animals? Within my 'Blessed Beasts' calendar, each tableau reveals the deeper emotional intelligence of the lovely creatures depicted. Sometimes it's in their expression, their body language, a knowing glance or an attitude which conjures a sense of loyalty, companionship, nobility, or wisdom. For pagan and shamanic religions, all animal species have inherent magical powers associated with and symbolizing different aspects of different gods. On the basis of my Tibetan Buddhist yogic training, I patiently develop a rapport with the animals I photograph by chanting specific tantric Buddhist mantras which gradually relax and open the beasts to loving-kindness and the liberating vibrations of these ancient sacred syllables. Hence the title, 'Blessed Beasts.'

​​In relation to the theme of the 2021 calendar, as well as October being World Animal Month, I ask you to consider donating or volunteering to any animal welfare organizations of your choice (if you don't already). In these difficult times, during the world-wide pandemic and its collateral damage, let's not forget the brave warriors who risk their own safety, health and emotional well-being to continue caring for animals in need. I have my preferred animal aid organizations to which I regularly contribute. But it really doesn't matter whether you do so for a small animal protection group in your own town, or to the neighborhood feral cat lady or bird man who contributes their free time caring for injured and sick wildlife, or whether you choose a reputable international organization – please consider making a donation to help any of them!

​For more information on spiritual practices for your animals, including prayers for sick and dying animals, I recommend Lama Zopa's Enlightenment for the Dear Animals website at https://enlightenmentforanimals.org/

In closing, I send blessings and prayers to all animals and those humans who help them, and especially those who have suffered and perished this year as the result of natural and man-made disasters.
May the creatures you aid today return to you as Enlightened Mother Beings of your future lifetimes!

-Om Mani Padme Hum-

~Zeena"

Brief History of World Animal Day/Month:
'World Animal Day' is celebrated each year on October 4th. World Animal Day was originated by the specialist in canines, Heinrich Zimmermann. He organized the first World Animal Day on 24 March 1925 at the Sport Palace in Berlin, Germany. Over 5,000 people attended this first event. The event was originally scheduled for 4 October, to align with the feast day of Saint Francis of Assisi, a nature lover and patron saint of animals and the environment. However the venue was not available on that day. The event was moved to 4 October for the first time in 1929. Initially he found a following only in Germany, Austria, Switzerland, and Czechoslovakia. Every year Zimmermann worked tirelessly on the promotion of World Animal Day. Finally, in May 1931 at a congress of the International Animal Protection Congress in Florence Italy, his proposal to make 4 October World Animal Day universal was unanimously accepted and adopted as a resolution. Today, World Animal Day is a global event that unites the animal protection movement agencies and has expanded to encompass the entire month of October with different events globally.  

​Review and Interview: Zeena Schreck and her debut Bring Me the Head of F. W. Murnau   
Tuesday, August 4, 2020 by Nicholas Diak

During the summer of 2015, the skull of German silent film director F. W. Murnau was stolen from his tomb. Remnants of wax from lit candles present at the scene spurred the hypothesis that occult work was afoot while the macabre nature of Murnau’s stolen skull drew parallels to his legendary horror output, in particular his influential expressionist film, Nosferatu, eine Symphonie des Grauens (1922).(1)
​
    Shortly thereafter, inspired by the event, multimedia artist Zeena Schreck announced a “sequel to Radio Werewolf’s mystical, musical piece Bring Me the Head of Geraldo Rivera” that would be appropriately titled Bring Me the Head of F. W. Murnau.(2) Five years later, Bring Me the Head of F. W. Murnau (BMTHOFWM) was released in March of 2020.

   BMTHOFWM marks the first studio release proper of Zeena performing music solo. Prior to this EP, Zeena had been a part of many musical collaborations and projects, such as Radio Werewolf, and had released some of her live ritual performances, such as her appearance at Wave-Gotik-Treffen, on compilations and YouTube. Per Zeena in regard to releasing a concept album instead of an album of her ritual performances:

“I definitely have future recording plans which will be in the areas of dark ambient and ritual music. [T]his first solo release was experimental in the sense I'd never done such a precise theme as concept album like this before. I like working within specific parameters though. Even in past recordings, when it might not seem obvious, I've almost always had in mind a particular framework within which to create the music. But this album was much more of a specific theme than I would normally do.”(3)

    BMTHOFWM certainly has a thematic laser focus, concentrating on Murnau and some of his films, while capturing a certain silent film aesthetic, though paradoxically, with sound. Zeena pulls this feat off – a silent film with no images but instead with sounds – by incorporating elements of field recordings, minimalist-industrial, exotica, spoken words, and incantations, in conjunction with the brilliant German expressionist/Caligari style artwork that emblazons the release’s cover art that evokes some of the classic horror posters of the era.

    Though Murnau is the subject of the EP, the filmmaker did not have a strong influence on Zeena at the beginning of the project:

“[Murnau was] not a huge influence. It was only his films Nosferatu and Faust that I had known and really liked since childhood, when they'd play on late night TV. I knew he'd worked with the occultist artist/architect Albin Grau on the sets for Nosferatu but working with an occultist doesn't automatically make you one. There is also the tie-in of my last name being the same as the actor who played Count Orlok, Max Schreck, in Murnau's most famous film Nosferatu. I'd also remembered the scandalous rumors about his untimely death that my godfather Kenneth Anger wrote of in Hollywood Babylon, rumors which, by the way, I've since learned weren't true. But aside from these things, I hadn't much knowledge of his life prior to embarking on this project. I know far more about him now.

Originally, I'd planned that this [release] was only going to be a single; not more than a two-track novelty piece inspired by a quirky event. But then, as I began researching more about Murnau and put flesh on the bones of this project, certain metaphysical portals started opening up. More material for more tracks developed than could be narrowed down to just a single. Yet I didn't want this to be a full album either. So, the logical middle ground was to make it an EP.”(4)

    Through the process of researching Murnau, Zeena also visited the director’s home and his grave, gathering field recordings that would be incorporated into the compositions of BMTHOFWM:

“[I] intermingled various sounds from both locations in just about every track except the opening one, ‘Letter to Mother.’ Some of those field recordings were used in a straightforward manner, such as a fox barking, birds singing, the sound of some machinery or a metal gate clanging. Those can be detected fairly clearly enough. But other sounds used, I distorted in the editing to achieve certain auditory effects.

When I visited Murnau's grave, for the photo shoot to the CD, I was focused on getting the photos but hadn't intended on capturing field recordings at the same time. I'd already compiled field recordings taken at the former Murnau house in Berlin, which coincidentally happens to be right in my neighborhood. In addition to that, I'd painstakingly searched for specific samples corresponding to the exact years of Murnau's creative life and his death, such as the sound of the precise year and make of the car he was in when it crashed, leading to his death. Or a snippet of a song that would've been popular at parties in Hollywood that he may have attended. Things like that.

[Excerpted]
​
“Why I came to this CD is immediately apparent when you take a look at the artist behind this music project: Zeena Schreck. I have been following the numerous works of the polarizing Femme Fatale Infernale for years (including in the review of her book "The Zaum of Zeena") and respect the extensive creative expression that the artist was able to express in many areas (something that I absolutely recommend to everyone). Whether in the form of graphic design, writing texts, making music or also leading / accompanying / elaborating complex rituals / magical ceremonies, Zeena Schreck's creative work in and on a wide variety of media is truly varied and expressed itself in this complexity, among other things also in the works in the band "Radio Werewolf", alongside her then partner Nikolas Schreck, one of the cornerstones of the dark ambient and (ritual) industrial genres.

Within this concept album, with the interesting title ”Bring Me The Head of F.W. Murnau ”, Zeena Schreck releases her first work in the dark ambient sector after many years. In addition, this album is her first ever solo release. Zeena dedicated this album to the life and work of the legendary German film director Friedrich Wilhelm Murnau and the creepy fact that Murnau's head was actually stolen by unknown people from his grave in Stahnsdorf (near Berlin) in 2015 and has since disappeared to this day ...
​
Murnau's cinematic works, which were primarily in the horror area, are still considered pioneering and still inspire this popular genre to this day, and not just in the medium of film, but far beyond.

The Album

Zeena Schrecks ”Bring Me The Head of F.W. Murnau ” [EP] consists of six musical pieces, individual acts to a ghost story, as expressed on the album in musical form creating frightful realms and atmospheric horrors for the listener. The six pieces together have a playing time of 18 minutes 21 seconds.
The eerie start to “Bring Me The Head of F.W. Murnau” comes in the form of “ A Letter To Mother,” in which an extract from one of Friedrich Wilhelm Murnau's letters to his revered mother is recited in a really uncanny voice. In this document, which was made in Tahiti while filming Murnau's last film "Tabu" (1931), Murnau's thoughts are both about the fascination of the exotic island, but much more about the homesickness that plagues him so much.
The following "Ill Omens" bleeds a true horror atmosphere and brings to mind the moody quality of Murnau's films. For me, this song is also the quintessence of this concept album and hits the nail on the head.
The following "taboo" immediately gets to the point, which kidnaps me into damp cemetery dungeons haunted by female horror phantoms. Zeena's voice, in combination with the drums, transforms the piece more and more towards the ritual atmosphere.
Significant to the atmosphere in V "The Phantom Bridge," is Zeena's chant, which in some places whispers an ASMR mood. The fifth title is therefore rather calm and almost relaxing. In terms of content, “The Phantom Bridge“ is dedicated to F.W. Murnau's pioneering film "Nosferatu - A Symphony Of Horror" (1922), in which actor Max Schreck in the role of Count Orlok who affects and inspires the look and manner of vampires in pop culture to this day.
​[...]

Conclusion

Zeena Schreck's ”Bring Me The Head of F.W. Murnau ” offers a seamless horror atmosphere, especially with suitable framework conditions (darkened room, no disturbances), and is therefore recommended to dark ambient fans but also to friends of soundtracks (regardless of whether from films, video games etc.) and anyone who wants an atmospheric musical background for suitable scenes (e.g., for Pen-&-Paper und LARP role-playing games).
And of course, the topics presented on the album would also appeal to friends of classic horror films from the 1920s and beyond, because in my opinion (at least as far as the majority of the pieces on the album are concerned) they also convey the spirit and atmosphere of these films really well.”
-- Dominik Tyroller

To read this review in original German version, click HERE.

To order the signed & numbered limited edition of this CD, go HERE. 
​

As we're upon the The Witching Hour of Walpurgisnacht, I'm sharing how I celebrated this holiday twenty-eight years ago in the Harz Mountains of Germany. Filmed in 1992, this footage is of the first public Walpurgisnacht festival after decades of being banned by the former DDR. The footage is from my film 'Germania: The Theory of Ruins'. Some described this scene as eerily reminiscent of the Danish silent classic 'Häxan', but in color. 
While this world-wide pandemic has had varying effects on everyone, and public events must now be cancelled, we can take heart in the fact that for many years, many people weren't able to partake in the sort of celebration shown in this video. If they were able to maintain a continuum to their spiritual roots and folk traditions, even if practicing privately, certainly we too can find ways of making the best of this holiday.
Whatever you do tonight, worldly or other-worldly,
​may you have a very wonderful Walpurgisnacht and May Day!
Many blessings and stay well!
--Zeena

Walpurgisnacht 1992 is an excerpt from the Originally titled GERMANIA: The Theory of Ruins, A Film by Zeena Schreck.

In 1992, during a pilgrimage to several Germanic pagan holy sites, Zeena filmed scenes at the first publicly organized Walpurgisnacht celebration in the Harz Mountains since WWII. In an attempt to remove all traces of religion, including pre-Christian Germanic pagan customs, from the East German Democratic Republic (DDR), public Walpurgisnacht celebrations were banned. Therefore, this footage is a pure document of the people in the Harz region of Germany - the original birthplace of Walpurgisnacht - reviving a long lost tradition, pieced together from scraps of relics and memories from the elders of their community.
An exhibit in the Walpurgishalle was held that year to display Walpurgisnacht folk costumes and decorations which had been gathered from cellars and attics, unused for decades.
The twilight performance footage seen here was held at the outdoor theater, Das Harzer Bergtheater, on the Hexentanzplatz.

From these modest beginnings, the Harz Region now enjoys a thriving tourist industry dedicated to the magnificent Walpurgisnacht festivals they host every year. For information visit www.harzinfo.de 
Music in this video is Die erste Walpurgisnacht, Op. 60, Ouvertüre: I. Das schlechte Wetter (Bad Weather) by Felix Mendelssohn. Performed by Kurt Masur, Rundfunkchor Leipzig, Gewandhausorchester Leipzig
​
Video footage copyright Zeena Schreck 1992/2020
All rights reserved.

[Scroll down to see a personal message from Zeena.]
​Those who pre-ordered the digital EP from Bandcamp, check your email as you'll receive the new release via download link that's been sent directly to you. Those who pre-ordered the limited edition, signed and numbered physical CD, your orders were sent as soon as they came in; you should have them any day (if you haven't already).
There are still some limited, signed & numbered CDs available HERE!
You can sample tracks on the Zeena Scheck Bandcamp site at:
​https://zeenaschreck.bandcamp.com/releases

FOR REVIEW COPIES of the physical CD and/or Interview requests to Zeena, please write to: info@zeena.eu 
FOR SHOPS AND RETAILERS and any questions regarding your order, please write to: 
​kch_info@yahoo.com 

"My heartfelt thanks to all you sweet, kind patrons of the arts who already pre-ordered my debut solo EP! I recognize so many of your names and have wonderful memories of your kind support over the years! Honored to have such a wonderful, eclectic following of alternative music aficionados. It's thanks to people like you who keep independent art and artists going! Some of the initial impressions shared with me have given me such joy and even greater, creative inspiration! By all means, feel free to post your impressions of my new CD publicly too - in comments below or anywhere on my online sites!
Thank you again and may the light of the Morning Star shine brightly upon all of your paths toward Liberation and Enlightenment!"
​--Zeena

Greetings!
I'd like to share an important three-part film project, which I endorse, called "Women vs. Warlords". The film aims to bring greater world-wide awareness of the struggles and oppression of Afghani women under the current Taliban rule. The most urgent goal right now is for filmmakers Diarmuid Brannick (Co-ordinator) and Tim Hood (Camera Operator, Director) to get into Afghanistan next week to interview Malalai Joya, activist for women's education and literacy in that country. An extremely risky undertaking as Malalai Joya has suffered assassination attempts; a risk which could extend to Western filmmakers attempting to reveal the current plight of women in Afghanistan. 

The Afghanistan region gave birth to the origins of Tibetan tantric Buddhism as we know it today; a religion of peace, loving-kindness and in particular, reverence for the feminine principle within the mystical practices of tantric Buddhism.
Prior to the Islamic conquest of Afghanistan between the 7th to the 10th centuries, Buddhism was a major religion in the region. Around the beginning of the 21st century, among other oppressive and destructive actions, the Taliban destroyed two of the largest and oldest Buddha statues in existence, dating back to the 6th century, C.E., a blatant display of disregard for world protests and world heritage sites.

The Buddhist Master Padmasambhava (or Guru Rinpoche) was born in the 8th century in South West Odiyana, also known as Lake Danakosha, located on the Afghanistan-Pakistan frontier. Padmasambhava brought tantric Buddhism from this region to Tibet and as a result Tibetans consider him “the second Buddha” to the Buddha Shakyamuni. Tibetan Buddhism is one of the few world religions which reveres its female religious leaders, feminine deities, Buddhas and Bodhisattvas, dakinis and yoginis equally to their male counterparts.
As a Tibetan Buddhist yogini who has been initiated in the mystical practices and teachings originating from this region, I believe that the empowerment of the women of this sacred land to be of utmost importance.
The full description of this ambitious project can be read at THIS LINK.
(An excerpt is posted below.) 
If this project moves you as it did me, please consider any donation toward funding - it would be greatly appreciated! 
​
Thank you for taking the time to read this!

OM MANI PADME HUM and Š-L-M​

~Zeena

Today in Afghanistan women are fighting for their lives, for their future, for everything.

We are seeking to send an Irish film crew, 2 people, to Kabul, Afghanistan for 4 days in late December 2019 for the purpose of conducting an extended interview and short film with Malalai Joya, a prominent human rights and literacy activist, who despite assassination attempts and smear campaigns continues to fight for her people.

Description

The interview will be the first in a planned series of feature length interviews with three of Afghanistan's bravest women: Previously mentioned Malalai Joya, Journalist and women’s rights activist Farahnaz Forotan and celebrated educator Dr Sakena Yacoobi.

The focus of these in-depth conversations; the fight for women's rights and the power of literacy in that fight.

By amplifying the voices of these women, starting with Malalai Joya we seek to strengthen their resolve, the resolve of their supporters and share a deeper more intimate insight into their lives.

With the emerging presence of Islamic State in Afghanistan and the US negotiating with the Taliban, supporting, safeguarding and emboldening female leaders in the country is the single most important thing we can possibly do.
[…]
Afghanistan is widely considered to be the worst place in the world to be a woman, and is one of the only countries in the world with a higher female suicide rate than male. The situation for some women and girls is so bad they actually set themselves on fire in desperate protest or as means of ending their lives.

Amid government failure, among the fundamentalists, warlords and criminals battling for control and resources, through the years and different phases of dominion, despite widespread unquestioned misogynistic traditional beliefs many ordinary Afghans, especially women have risked their lives to empower their people. They have risked their lives to bring the light of literacy and smash the bonds of subjugation.
Please support us!
[End Excerpt]
Update DECEMBER 16, 2019 by Diarmuid Brannick, Organizer
We have just over €2000 left to raise, all our costs have been brought to bare minimum to make this important project happen. If you can pledge a final donation or know anyone who could, please ask them. €10 or €20 at this point from enough people will make it all possible. Thank you!

Detailed information in this link: https://www.gofundme.com/f/women-v-warlords

That also includes all autographed products, vintage collectibles, apparel, and the new 2020 Calendar "Meditations on Death & Impermanence"
ALL items in our Featured Products shop will be reduced by 20% until Monday Dec 2, 2019!!!

At long last, IT'S ALIVE! Congratulations to Mikey Bean for his long awaited mammoth, encyclopedic documentation of the roots of the Los Angeles deathrock scene, which was an integral part of the later goth movement. Within the 630 page history, is full chapter on Radio Werewolf which includes an exclusive interview with Zeena (sample pages below).
Can be purchased NOW directly at: http://www.lulu.com/shop/mikey-bean/phantoms-the-rise-of-deathrock-from-the-la-punk-scene/paperback/product-24320734.html
Book description and product details in screenshot below. 

​On this day, to commemorate the 100th Armistice Day, Zeena issues a highly personal glimpse into her first hand experiences of death and impermanence. This limited edition 2020 calendar features solemn yet beautiful reminders of Impermanence in its many guises. Whatever your personal battles, great or small, we all experience the same pain, grief and suffering from death, loss and impermanence. Whatever your religion, sexual orientation, race, or political leanings, there is no escaping the one great unifier: Death.
​
Most prefer to look away from that truth, or conversely attempt to glamorize, parody or mock such uncomfortable realities. Yet this beautifully printed, gallery quality art calendar doesn't pander to the ironic or flippant but looks at the greater meaning of death and impermanence in a compassionate and bare manner.
 
Each image reveals Zeena's eye for minimalism, composition, symbolism and tableaux. Several of the artist's first-hand experiences from serving as death's midwife to humans and animals are conveyed. April hints at the life-long trauma to civilian children of war in a still life comprised of WWII souvenirs of the boy, Bernd-Peter S., who wrote in his Tagesbuch of the ordeals he and his classmates endured through the end of the war. In March, we see a religious funerary rite for a loyal canine, Manfred. In October the cremation of feline familiar Mephisto, captured on film, through the small cremation viewing hole. July was the birth month of Zeena's friend, the multi talented musician John Murphy; her stark portrait taken shortly before his untimely death. To all the aforementioned Zeena performed traditional Tibetan Buddhist death rites. These and all the other months are visual reminders on the constant, unpredictable and uncontrollable cycles of life and death.

This calendar is printed on fine art quality Premium Paper suitable for cropping and framing after use.
​Dimensions: 200x300mm / 8”x11½”

Personalized autograph option available in the drop-down menu at this link:
​
https://www.zeenaschreck.com/store/p46/2020-Calendar-Meditations-on-Death-and-Impermanence-by-Zeena.html

We've both always held the conviction that the public is not owed anything from artists, musicians, authors and other public figures other than their work. Even in this age of social media oversharing, we don't publicly discuss our private lives in great detail. However, due to several recent, obtrusive misunderstandings, it‘s necessary to share that in 2015, after having been separated since 2007, we agreed to amicably divorce.

Since then, we've remained on friendly terms and spiritual allies. But because most exes display hostility toward each other as a primitive, dualistic way to signal renewed availability to others, we realize our non-antagonism and continued friendship necessitates this more public clarification.

When we first married, in 1988, we considered it a purely a private matter, just between us; a creative and spiritual union which was not bound by conventional standards of matrimony. The actual marriage only became publicly known gradually, months after our private ceremony. So it should come as no surprise that, similarly, we dealt with its dissolution privately, with dignity, rather than making a public spectacle.

In recent years, our closest friends knew of our changed marital status (and, yes, despite those who've attempted to reduce our relationship to mere “dates” or “boyfriend/girlfriend” status, in fact we were *legally* married for 27 years). We should have made this clear sooner but we are only human and needed time to work through everything in the most compassionate way.

So, kids, there is no drama or soap opera involved, nor any need for boo-hooing. We appreciate your respecting that this will be our only public comment of clarification on what remains private transitions into new phases of two separate lives.


Omnia Vincit Amor

Om Mani Padme Hum

    - Zeena & Nikolas Schreck

Two of Zeena's illustrations from her book 'Demons of the Flesh: The Complete Guide to Left-Hand Path Sex Magic', co-authored by Nikolas Schreck. The first is Dakshineswar - Kali and Shiva. ​In the original publication, all illustrations were printed in black and white. Now for the first time, this vibrantly colored piece is presented in its original form for this shirt.
​The second is 'The Contending of Hours and Seth', depicted in classical ancient Egyptian art style.
For mature audiences and collectors; probably not suitable for work :)

From 'The Manson File: Myth & Reality of an Outlaw Shaman' is 'You don't see the light.' - one of nine installments in Zeena's photo montage/mixed media suite entitled, "God Bless Charles Manson" from 2009. The entire collection was originally published as chapter plates in the 2011 expanded editions of 'The Manson File: Myth and Reality of an Outlaw Shaman' (English and French editions), authored by Nikolas Schreck. The whole suite can be seen at this link http://www.zeena.eu/index.php?option=com_content&view=article&id=86&Itemid=88

For the ZEENA Art apparel collection, only two of the original nine images have been selected.

The second one is: 'To Remain Silent.' and features a quote by Ezra Pound that Zeena found fitting to the conditions of both animals and humans who are on death row.

Anyone who would like to request one of the other images from Zeena's original series can special order from  kch_info@yahoo.com for the same price.

How many have wanted Zeena's graphic designs and retro images in crisp, clear quality for their wearing apparel? Well look no further. Over the decades, many have illegally profited from Zeena's history, style, creativity and hard work. But now we're correcting all of that.
Kaliyuga Clearing House is proud to present high quality apparel at affordable prices, exclusively featuring Zeena's artwork and photos as well as historical images of Zeena in her various incarnations, within this lifetime.
The first three collection categories are:
MAGIC & MYSTICISM
RADIO WEREWOLF
and
RETRO ZEENA.

New designs and different products will be added regularly. So be sure to subscribe to our blog so you receive updates reliably to your email. We are currently in the process of developing new collections for the Fall/Winter season. If anyone has requests or ideas of what you'd like to see of Zeena's works, please submit your suggestions to kch_info@yahoo.com!

Kaliyuga Clearing House and Zeena thank all of you who have supported Zeena's works through the years. May you wear our new apparel in happiness, good health, prosperity, with love and compassion for all sentient beings.  
​
Below are only a small selection of the new  APPAREL & ACCESORIES on this site.