Through the Feminine Lens - Women Behind the Camera Zeena curates a day of programs for Network Awesome on Saturday 12/12/15, dedicated to the famous and infamous female photographers and filmmakers who have inspired and influenced Zeena's own photography. The stream of programs will remain in the archives at: http://networkawesome.com/2015-12-12 PROGRAM GUIDE: 1. Masters of photography - Diane Arbus (documentary, 1972) Diane Arbus (March 14, 1923 – July 26, 1971) was an American photographer and writer noted for photographs of marginalised people—dwarfs, giants, transgender people, nudists, circus performers—and others whose normality was perceived by the general populace as ugly or surreal. In 1972, a year after she took her own life, Arbus became the first American photographer to have photographs displayed at the Venice Biennale. Millions viewed traveling exhibitions of her work in 1972–1979. Between 2003 and 2006, Arbus and her work were the subjects of another major traveling exhibition, Diane Arbus Revelations. In 2006, the motion picture Fur, starring Nicole Kidman as Arbus, presented a fictional version of her life story. 2. Interview: Charlie Rose - Annie Leibovitz Annie Leibovitz, considered one of America's best portrait photographers, developed her trademark use of bold colors and poses while at Rolling Stone. Photographer Annie Leibovitz was born October 2, 1949, in Waterbury, Connecticut. In 1970 she took a job at Rolling Stone magazine. In 1983 she began working for the entertainment magazine Vanity Fair. During the late 1980s, Leibovitz started to work on a number of high-profile advertising campaigns. From the 1990s to the present, she has been publishing and exhibiting her work. 3. The Films of Maya Deren (3): Ritual in Transfigured Time (1946) Witch's cradle (Maya Deren , M. Duchamp - 1943) Meshes of the Afternoon (1943) Soundtrack by Seaming (Commissioned by BIrds Eye View) Maya Deren (April 29, 1917 – October 13, 1961), born Eleanora Derenkowskaia (Russian: Элеоно́ра Деренко́вская), was one of the most important American experimental filmmakers and entrepreneurial promoters of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer and photographer. The function of film, Deren believed, like most art forms, was to create an experience; each one of her films would evoke new conclusions, lending her focus to be dynamic and always-evolving.[1] She combined her interests in dance, Haitian Vodou and subjective psychology in a series of surreal, perceptual, black and white short films. Using editing, multiple exposures, jump cutting, superimposition, slow-motion and other camera techniques to her fullest advantage, Deren creates continued motion through discontinued space, while abandoning the established notions of physical space and time, with the ability to turn her vision into a stream of consciousness. Perhaps one of the most influential experimental films in American cinema was her collaboration with Alexander Hammidon Meshes of the Afternoon (1943). She continued to make several more films of her own, including At Land (1944), A Study in Choreography for Camera (1945), and Ritual in Transfigured Time (1946) – writing, producing, directing, editing, and photographing them with help from only one other person, Hella Heyman, as camerawoman. She also appeared in a few of her films but never credited herself as an actress, downplaying her roles as anonymous figures rather than iconic deities. 4. Leni Riefenstahl - The Immoderation of Me (2002) The journalist Sandra Maischberger meets Leni Riefenstahl in this documentary about the controversial director and German actress. In 1926, Leni Riefenstahl began acting and quickly becomes a silent film star. Fascinated by the power of oratory Hitler, she joined the Nazis to become the official documentary of the propaganda films of the Third Reich. After World War II Riefensthal resumed making documentaries, that are authentic masterpieces, on African cultures and marine biology. In 2002 she released her latest film: "Wonders underwater". (Biography by RaiStoria) 5. The lives of Lee Miller Model, muse, photographer, artist, war correspondent & gourmet chef. Born: 23 April 1907, Poughkeepsie, New York, USA. Died: 21 July 1977, Farley Farm House, Muddles Green, Chiddingly, East Sussex, England. Lee MILLER first entered the world of photography in New York as a model to the great photographers of the day such as Edward STEICHEN, HOYNINGEN-HUENE and Arnold GENTHE. In 1929 she went to Paris and worked with the well known Surrealist artist and photographer Man RAY, and succeeded in establishing her own studio. She became known as a portraitist and fashion photographer, but her most enduring body of work is that of her Surrealist images. She returned to New York in 1932, and again set up her own studio which ran for 2 years and was highly successful. It closed when she married a wealthy Egyptian businessman Aziz ELOUI BEY and went to live with him in Cairo, Egypt. She became fascinated by long range desert travel and photographed desert villages and ruins. During a visit to Paris in 1937 she met Roland PENROSE, the Surrealist artist who was to become her second husband, and travelled with him to Greece and Romania. In 1939 she left Egypt for London shortly before World War II broke out. She moved in with Roland PENROSE and defying orders from the US Embassy to return to America she took a job as a freelance photographer on Vogue. In 1944 she became a correspondent accredited to the US Army, and teamed up with Time Life photographer David E. SCHERMAN. She followed the US troops overseas on D Day + 20. She was probably the only woman combat photo-journalist to cover the front line war in Europe and among her many exploits she witnessed the siege of St Malo, the Liberation of Paris, the fighting in Luxembourg and Alsace, the Russian/American link up at Torgau, the liberation of Buchenwald and Dachau. She billeted in both Hitler and Eva Brauns houses in Munich, and photographed Hitlers house Wachenfeld at Berchtesgaden in flames on the eve of Germanys surrender. Penetrating deep into Eastern Europe, she covered harrowing scenes of children dying in Vienna, peasant life in post war Hungary and finally the execution of Prime Minister Lazlo Bardossy. After the war she continued to contribute to Vogue for a further 2 years, covering fashion and celebrities. In 1947 she married Roland PENROSE and contributed to his biographies of PICASSO, MIRÓ, Man RAY and TÀPIES. Some of her portraits of famous artists like PICASSO are the most powerful portraits of the individuals ever produced, but it is mainly for the witty Surrealist images which permeate all her work that she is best remembered. Lee Miller died at Farley Farm House in 1977. 6. Movie - The Hitch-Hiker (Dir. Ida Lupino, 1953) A film noir directed by Ida Lupino about two fishing buddies who pick up a mysterious hitchhiker during a trip to Mexico. The movie was written by Robert L. Joseph, Lupino, and her husband Collier Young, based on a story by blacklisted Out of the Past screenwriter Daniel Mainwaring (who did not receive screen credit). The film is based on the true story of psychopathic murderer Billy Cook. It is regarded as the first mainstream film noir directed by a woman; in 1949 Norwegian director Edith Carlmar made the lesser known "Døden er et kjærtegn". The director of photography was RKO Pictures regular Nicholas Musuraca. In 1998, The Hitch-Hiker was selected for preservation in the United States National Film Registry as being "culturally, historically or aesthetically significant." BONUS FILM (NOT in the Network Awesome program) NEGATIVES (1968) ; Glenda Jackson, Diane Cilento The almost forgotten British drama Negatives (1968) was the first feature film directed by Peter Medak, whose name was later made by the likes of The Ruling Class (1972) and A Day in the Death of Joe Egg (1972). It's one of those intense and wordy pieces, scripted by Peter Everett from his own novel, which have a respectable amount of visual flair as well. Theo (Peter McEnery) and Vivien (Glenda Jackson) are a bickering and dislikable couple who spend their evenings in bizarre role-playing games. He takes on the persona of notorious cellar murderer Dr. Crippen, while she alternates between playing his doomed wife Cora and his mistress Ethel Neave. A morbid state of affairs which is bound to end badly, the catalyst being the arrival of glamorous photographer Reingard (Diane Cilento). Eccentricity turns to outright insanity when Reingard suggests Theo finds himself a new hero - WW1 fighter ace Baron von Richtofen! *Because the YouTube uploader disabled viewing this film on other sites, you will need to WATCH NEGATIVES directly from the YouTube channel that posted it. Zeena highly recommends it in conjunction with the theme of female photographers!
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